Paris
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“A Railway Drama: The Montmoreau Affair.” In Le Petit Journal, Supplément Illustré, Saturday, May 16, 1891. Author’s collection. From his prison cell, the celebrated “gentleman burglar” Arsène Lupin had been taunting Sûreté Inspector Ganimard for several weeks.[1] Charged with multiple counts of grand theft, Lupin declared he would not be attending his trial. When the
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Publicity Poster for the crime novel L’Amour à Paris by Mr. Goron, former Sûreté Chief, serialized in Le Journal (1889) and purportedly drawn from his Mémoires Inédites (“Unabridged Memoirs”). Illustrated by Paul Balluriau. Gallica: Bibliothèque nationale de France. While Vidocq’s Mémoires laid foundations for the police memoir genre, he was not the first to write
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“Murder in the Cheval-Rouge Passageway” (detail). Causes Célèbres no. 7 (1859). Collection: Bibliothèque des littératures policiers, Paris. When Pierre-François Lacenaire was arrested in January 1835, he was simply a criminal miscreant, yet another thief soon to go on trial for murder. That November, however, courtroom coverage by multiple Parisian newspapers transformed him into a media
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Serialized novel cover for Vidocq, King of Thieves–King of Detectives (Paris: Fayard, 1882). Public Domain. Historian Paul Metzner argues that the social and political instability of the restored Bourbon Monarchy in the early nineteenth century, following French Revolution and the collapse of Napoleon’s Empire, was particularly favorable to opportunistic virtuosos, self-centered individuals who excelled at
Shady Detectives, Elegant Criminals & Dark Avengers 